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You can have both dynamics, expression etc open at the same time. Less clicking around, since everything is pretty accessible from the piano roll in cubase this means you have to click around less to get access to the things you want. Piano roll is decent but worse than Fl, no note names on the piano roll etc, no scale highlights etc. Just drag it to the new instrument with the alt button.Īdding kontakt instruments in cubase is a breeze compared to FL studio, which also means it's easier to create template and it is easier to add new instruments you feel your track needs as you go.
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Like a crescendo type automation.Ĭopying stuff in cubase is way quicker, say you want to layer a melody with another instrument. There is also a lot of tools to use if your after a specifik automation.
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Midi automation, no joke the midi automation is really great and easy to do. I'll list down some things I have experienced with Cubase. So now since I have both and I have reached a level where I can use cubase fairly decent, Fl is my main DAW still. The beauty with FL is that it's simple to use and understand. I constantly messed something up, like mispressing a button, routing everything wrong etc. So I opened cubase and couldn't get anything done, it was too complicated. Honestly I bought cubase before getting FL Studio because well it was recommended and people told me somehow that Fl Studio is shit, maybe on discord, from a community etc, I don't remember. I get down ideas quickly and it doesn't become too cumbersome.
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So basically I click in my notes with the mouse mostly, sometimes I record them if I can.įl Studio for a guy like me is a godsend, that piano roll is honestly that great! Here is a quick version of my backstory too so you know where I'm coming from, I don't play any instruments, I can probably strum some chords now on piano and guitar now but I don't own any instruments at all. So everything you hear on my playlists is made in Fl except the track Enter The Darkness which is made in Cubase, yeah I have both DAWs. I think he just used an Atari 1040-ST with a quill pen. Just remember, Tchaikovsky didn't use FL or S1 or Reaper to arrange and 'produce' his songs. Turns out great and very realistic every time. I then render it to a WAV file and run it through my PA to finally judge it. Sometimes I want to change some parts of my MIDI recording, so I just jump into the piano-roll and quickly and easily edit the notes that I want to change.Īfter I am happy with the recording I EQ the track and apply basic VST FX. I have a Roland-A88 connected to my home-studio, and I just record Kontakt strings (following a click-track), as MIDI into FL. I use some strings and brass as backing tracks for my live shows, in both epic numbers and quiet and low tempo ballads. I do use FL to record strings and brass though, and the end result is always great. I have been using FL Studio for a long, long time, yet producer, client, and EDM are not even in my lexicon. I don't know if what I'm about to say will answer your query, but I'll say it anyway.
SPEAKERPHONE VST WONT SHOW ON FL STUIDIO 20 FULL
I do not know of many full Orchestra recordings (real orchestra) where Fruity Loops, Reaper, Studio One or Ableton have been used so you'd have to ask someone who has or knows someone who has.Īs far as I know the full Orchestral recordings are done on ProTools, Logic or Cubase, though I do not see any reason why any DAW could not do it with the right hardware and outboard gear.Īs for simulated Orchestra, to repeat, any DAW suffices as long as the latency and RAM is good because if you hand score,or write and then play in, or dump from your scoring program, the more vst's and instruments, the bigger the load.ĮDIT: When I say 'the right hardware and outboard gear,' it means a setup capable of recording a 128 piece orchestra with at least 64 microphone channels simultaneously in real-time with next to no latency. As many good orchestrators and scorers who have shown it is possible to create realistic scores, often they have hired a lead trumpet and string quartet to double the samples. To do it with a 128 channel desk and anywhere from a microphone on every instrument to only on sections, requires a grunty system and a DAW geared towards doing that. Pretty much any DAW can do it with sampled Orchestration. Sampled Orchestration vs Real Orchestration?